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Jul 06, '08




After writing 60 posts over the last year, I finally decided to close this blog. I simply don't have enough time to maintain this blog on snail paced fropper servers. However I'll keep writing on Playing with sid ( http://playingwithsid.blogspot.com ) blog.


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Apr 28, '08




Never did I read life's worth summed up in so few a words.


I had never been arrested before and the prospect of prison in Zimbabwe, one of the poorest, most repressive places on earth, seemed especially forbidding: the squalor, the teeming cells, the possibility of beatings. But I told myself what I'd repeatedly taught my two children: Life is a collection of experiences. You savor the good, you learn from the bad.

Read more of Bearak's account.


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Apr 28, '08




This is what I need in my new workplace.













Apr 20, '08





A Retrospective of the life and the works of the poet Pramil

20th April 2008, Starting 5pm with the inauguration Painting and Photo Exhibition accompanied with poetry
reading, book release, discussions and theatre performances.

In association with Kanchanai Film Society, Street Photographers,Layam Publications, Vamsi Books, Adailam. Puthanatham,KAL- Cultural Society and Government College of Fine Arts, Chennai.

Pramil was the enfant-terrible of modern Tamil writing. His poetry and prose in this language had given it a capability for modern in-depth usage, a dimension thought not possible in Tamil by
the traditional anti-Tamil intelligentia.

Starting his life as a painter and sculptor he later began to write New poetry and literary criticism establishing himself as a writer with penetrating analytical powers and imagination. He
was given the Pudumai- Pitthan award in 1995. His works were recognized and lauded in many circles.

To celebrate the beginning of the 70th birth anniversary, a series of events are organized at the Alliance Francaise of Madras to commemorate this great poet. The events include a
photography and painting exhibition on the poet that will be inaugurated on the 20th
April. Other events organize include poetry reading sessions, book release and also discussion on his life and work. The events are organized by the Kanchanai Film Society and by Layam Publications, Sathyamangalam.

Programme:

5:00pm Inauguration of the photo exhibition
(Rare photos of Pramil) by Mr. M. Rajendran

Followed by Australian Tribal Music by Kumar Ambayiram.

5:45pm Speech by Mr. R. Srinivasan – Introduction to Pramil
followed by "Pramil's Literary venture" by Kala Subramaniam

6:15pm Poetry Reading session by Kandarathithan and
Nesan followed by presentation of Articles on Pramil by
Devadevan, S.Shanmugam, Veli Rangarajan, R.K

Also part of the programme

Theatre performance by Third Theatre

Paintings inspired by Pramil's poetry by artists
including Chandru, Natraj, Purushotaman, Manivannan, Narendran, Ameer, Guru,
Ramachandran, Anitha, Yasvanthiran

Book Release- Pramil Poems- Published by
Adailam.Puthanatham- released
by Marie-Paule Serre , Director, Alliance Francaise of
Madras. Book
will be received by Bava Chelladurai.

Book Release- Paathaiilla Payanam – Published by Vamsi
Books. Released
by Director B. Lenin, Received by S.R. Muthukrishnan

Films on Pramil by Prasad Academy- Organised by
Hariharan, Arunmozhi

Short Films on Pramil
1. Thavalai Kavidhai by Anand Krishnamurthy
2. The Desert by Tanvir Mohi-ud-din Mir
3. Kaviyam by Bhuvana Sundar
4. Naanum Neeyum by V.S. Murthy
5. Wandering Cows of Madras by Arunmozhi
6. Vazhi by Rukmani



The programme will end with a vote of thanks by
Kanchanai Mani.

The painting exhibition accompanying the programme
will be on display
at the Government College of Fine Arts.

For more information kindly contact Mr. R.R.
Srinivasan at 9444065336








Apr 19, '08



UNAIDS India and the National AIDS Control Organization, Ministry of Health, Government of India have jointly supported a portal NGO Gateway (www.ngogatewtay.org ) an initiative to network and empower NGOs. The gateway is powered by Joomla content management tool, and has Dspace for loading reports by collaborators.

We are looking for Joomla users, (especially in Delhi), for cross learning and problem solving, and specifically seek your help for:

1. Any training opportunities on the tool.

2. Experience on Indian Language interface

3. Best GIS tool to integrate with joomla.


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Apr 18, '08




Persistence Resistance
A festival of contemporary political films

Organised by Magic Lantern Foundation and India International Centre  28, 29 and 30 April 2008
Venue: India International Centre, 40 Max Mueller Marg, Lodhi Estate, New Delhi 110003

The festival celebrates a rich, exciting moment in the history of the Indian documentary film: its diverse subject and forms, its independent spirit and aesthetics and its complex political voice. Along with the screenings there will also be presentations on each evening that will explore the linkages between art, literature, theatre, comics, animation and censorship with films. We will also carry a section on international documentaries in an attempt to explore the notions of internationalism in the present day scenario of neo-liberal globalisation. The work of the well known South African filmmaker Rehad Desai is also included in the retrospective section.

http://www.magiclanternfoundation.org/PersistenceFest/PR_Mainpage.html







Apr 17, '08




My sunday isn't complete without the customary cover-to-cover reading of THE HINDU. When I started reading this week's Shashi Tharoor column "Losing our heads to Kipling?" (13 April 2008) (http://www.hindu.com/mag/2008/04/13/stories/2008041350070300.htm) I felt like  thanking him for writing about the Kipling's famous poem 'IF'. However my joy didn't last beyond few paragraphs because Shashi went on to chastise our education system for teaching this poem solely on the basis of 'historical context' (Yes, that the subtitle of the last paragraph of his column) of the work.

The cause of my disgust is the Bohemian attitude of the columnist, I guess its not too late to look beyond the politics of the Rudyard Kipling and stop us enjoy and teaching his work for its lyrical beauty. Perhaps I should remind Mr. Tharoor that the poem is a" great verse" that sometimes unintentionally changes into poetry (TSEliot).


Perhaps I shouldn't blame Shashi Tharoor much, I guess its publication date Sunday 13 !!!










IF.....


IF you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
' Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!


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Apr 17, '08



Learn video strategies and techniques for development justice!

September 15-26th 2008, Chiang Mai, Thailand

The International Accountability Project, WITNESS, EarthRights
International and the Unit for Social and Environmental Research at
Chiang Mai University, Thailand are pleased to announce the call for
applications for the Video Advocacy Workshop (VAW). This workshop will
train people in WITNESS' highly effective methodology for integrating
video into human rights advocacy campaigns. WITNESS uses video and
online technologies to open the eyes of the world to human rights
violations. It empowers people to transform personal stories of abuse
into powerful tools for justice, promoting public engagement and
policy change.



This workshop is for Asian community activists, civil society
advocates and filmmakers who want to use video in an advocacy campaign
challenging unjust forced eviction in the name of development.


- Learn how to use video to enhance your campaign, tell powerful
audio-visual stories and distribute your video to key audiences;

- Learn basic camera skills and video editing for advocacy;

- Develop a plan to integrate a completed video into a specific
campaign on development-induced forced eviction;

- Co-create a collaborative environment for learning, and a regional
network to support video advocacy for development justice in Asia!

Application Deadline: June 15, 2008



*This workshop will be held in English. Future VAW's may be held in
different languages. Previous video production skills not required.
If you have further questions about the VAW not answered in these
materials, please write to us at: vaw@accountabilityproject.org.



Coordinating Organizations: International Accountability Project,
WITNESS, EarthRights International, Unit for Social and Environmental
Research, Chiang Mai University.








Apr 15, '08



The Art (and craft) of documentary films

Vikalp

in association with

Awishkar and the Short Circuit presents



An evening exploring the documentary form with cameraperson Ajay Noronha, editor Jabeen Merchant, and director Madhusree Dutta.

Awishkar April 19th from 5 pm to 9.30 pm



Session One

5 pm to 6.30 pm

Manufacturing images

This session looks at the challenges faced when shooting for documentaries, and the evolving aesthetics of the documentary image. Ajay Noronha will illustrate his presentation with clips from his favourite documentary films, and from his own work.



Session Two

6.45 to 8 pm

Creating meaning from images

Is it true that a documentary film is constructed on the editing table? Jabeen Merchant explores the process of structuring and editing documentary films. Her presentation looks at how seemingly random images are brought together on the editing table to create meanings, and examines the process of story-telling in documentary as opposed to fiction films.



Session Three

8.15 to 9.30 pm

A Director's View

Madhusree Dutta's first film on the riot affected neighbourhood of Behrampada changed her view of the world. In her presentation she juxtaposes the history of documentary films in India with her own personal journey as a film maker. Clips from her own films and from films she admires and has learnt from provide an insight into a documentary film director's view.



Presenters



Ajay Noronha is a Mumbai based cameraperson/director who divides his time between documentary film, television and teaching. He has shot for several Indian n international documentaries and has directed a film on tourism related paedophilia called "Bhailey" (Outsiders).



Jabeen Merchant is an alumna of the FTII, Pune. She
has been editing documentaries for the last 13 years, as well as fiction feature films and a range of TV shows. She also teaches and writes on film.


Madhusree Dutta has been making documentary films since 1993. She is executive director of Majlis, a centre for multi-disciplinary art initiatives.

Date: 19th April 2008

Time: 5:00 PM to 9:30 PM

Venue: Awishkar

New Municipal High School ,

Miya Mohhammad Chotani Marg, 3 rd cross lane,

Mahim (w)

Tel.:02224445871








Apr 14, '08




You lead life with courage extraordinary. You are no more, my friend. But your human spirit shall remain my guide forever.









Dith Pran was a Cambodian journalist who suffered four years of abusive treatment after the Communist Khmer Rouge forces took over his country in 1975. Pran eventually escaped and became a crusader for justice in Cambodia. His story was portrayed in the 1984 movie The Killing Fields.

http://en.wikipedia.org/wiki/Dith_Pran



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