Apr 17, '08
The great singer-lyricist Dr. Bhupen Hazarika described Rongali Bihu ( the spring festival of Assam ) as not mere a season but a lifeline of the people of Assam - the unifying force of the people irrespective of caste, creed, community etc. Thus bihu plays a greater role in the society, but alas where have gone those days when people from every walks of life throng the bihu pandels to watch bihu functions without winking eyes, without any fear of any untoward incident, thanks to gun-trotting extremists of any hue !!
The composite Assamese society, which is the result of assimilation of different tribes and communities, has been plagued by a sense of distrust and suspicion. Divisive forces are gaining ground.
Bihu is primarily a festival of agricultural background. But agro-based rural folks are in constant fear of loosing its hold over market as elsewhere in India.
Echoing the spirit of a predominantly agrarian society, prasing mother nature, there are various forms of bihu dances practised by different tribes and communities. Earlier they were performed in open fields, under the banyan tree; but later they were brought to the modern atmosphere making them artificial to a large extent. Materialism come to the fore.
The traditional bath associated with bihu is symbolic of a cleansing process - much like nature's own way of wearing new in the spring season. Bihu is a significant reminder that Nature is the source of and it sustains all life. But do we, the rapists of the forests, the polluters of environment claim to be the celebrator or the inheritor of bihu spirit ?
Rongali Bihu, as the name signifies, is essentially a festival of merry-making through dance and song, woven round the themes of love and young nature. But over the years it has undergone changes. Some are unavoidable. But some are unhealthy trends that crept into the culture. Too much commercialisation, forceful collection of donations, overdose of pop culture, etc etc are doing more harm than good. Are we heading towards a total sacifice of Bihu at the altar of socalled modernity ?